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1992 (11)

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Fanny Brice : the original funny girl
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ISBN: 0195359011 1429407824 9781429407823 9780195085525 0195085523 9780195057256 0195057252 1280527072 9781280527074 9786610527076 6610527075 0195085523 0195057252 0199839158 Year: 1992 Publisher: Oxford : Oxford University Press, USA,

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Abstract

""I've done everything in the theatre except marry a property man,"" Fanny Brice once boasted. ""I've acted for Belasco and I've laid 'em out in the rows at the Palace. I've doubled as an alligator; I've worked for the Shuberts; and I've been joined to Billy Rose in the holy bonds. I've painted the house boards and I've sold tickets and I've been fired by George M. Cohan. I've played in London before the king and in Oil City before miners with lanterns in their caps.""


Periodical
TheatreForum.
Author:
ISSN: 21691169 10605320 Year: 1992 Publisher: La Jolla, CA : Theatre Dept. at the University of California, San Diego

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Junius Brutus Booth
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ISBN: 0585192413 9780585192413 0809385929 9780809385928 0809317664 9780809317660 9780809330003 0809330008 Year: 1992 Publisher: Carbondale Southern Illinois University Press

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In this, the first thoroughly researched scholarly biography of British actor Junius Brutus Booth, Stephen M. Archer reveals Booth to have been an artist of considerable range and a man of sensitivity and intellect. Archer provides a clear account of Booth's professional and personal life and places him in relationship to his contemporaries, particularly Edmund Kean and William Charles Macready. From 1817 to 1852 Junius Brutus Booth toured throughout North America, enjoying a reputation as the most distinguished Shakespearean tragedian on the American continent. Still, he ye

The playful revolution : theatre and liberation in Asia
Author:
ISBN: 1282075756 9786612075759 0253112885 0585213232 9780585213231 0253362040 0253207290 9780253362049 9780253207296 9781282075757 6612075759 9780253112880 Year: 1992 Publisher: Bloomington : Indiana University Press,

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Caught in the act
Author:
ISBN: 0520074521 0520074548 0585161232 0520911377 9780520911376 9780585161235 9780520074521 9780520074545 Year: 1992 Publisher: Berkeley University of California Press

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Abstract

Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introducing opportunities for novelists to resist them. This approach encourages a rethinking of the genre and its cultural contexts in all their instability and ambivalence.


Periodical
TCI : the business of entertainment technology & design.
ISSN: 21621144 Year: 1992 Publisher: New York, N.Y. : Theatre Crafts Associates


Periodical
Études théâtrales.
Author:
ISSN: 27287300 Year: 1992 Publisher: 3 1962- ; Louvain-la-Neuve, Belgique : 3 <2015/2016-> ; Louvain-la-Neuve : Centre d'études théâtrales, Université catholique de Louvain Academia-L'Harmattan S.A.

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Abstract

Espace de réflexion sur le fait théâtral à partir de ses différentes approches disciplinaires - dramaturgie, esthétique, scénographie, littérature, sociologie, droit...-, la revue Études théâtrales se consacre aux dimensions tant historique que contemporaine, tant textuelle que représentative du spectacle vivant. Chaque numéro est thématique. Les réflexions qui y sont menées en commun par les universitaires et les artistes mettent en lumière la vitalité des uns et des autres et la fécondité de leur dialogue.Véritable outil pédagogique et source de renseignements bibliographiques d'une grande fiabilité, Études théâtrales a acquis une réputation internationale auprès des universitaires - étudiants, professeurs et chercheurs - ainsi que des créateurs - comédiens, metteurs en scène, acteurs, scénographes... Ses publications se consultent à de nombreuses années de distance et ses anciens numéros sont encore disponibles. La suite des numéros s'apparente dès lors autant à une collection de livres sur le théâtre qu'à une revue au sein de laquelle des avis divergents ou complémentaires peuvent s'exprimer.La revue, fondée en 1992 par Anne Wibo, est une publication du Centre d'études théâtrales. Elle paraît au rythme de trois numéros par an.

The politics of performance
Author:
ISBN: 0415057620 0415057639 1138131164 1134932723 1280428805 0203412281 1134932715 9780415057639 9780415057622 9780203412282 9781134932726 9781280428807 Year: 1992 Publisher: London New York Routledge

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Abstract

Addresses fundamental questions about the social and political purposes of performance through an investigation of post-war alternative and community theatre. A detailed analysis of oppositional theatre as radical cultural practice.

Modern drama and the rhetoric of theater
Author:
ISBN: 0520074688 0585280983 9780585280981 9780520074682 9780520963047 0520963040 0685526836 9780685526835 0520286871 1336029730 Year: 1992 Publisher: Berkeley University of California Press

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In Modern Drama and the Rhetoric of Theater, W.B. Worthen examines how the dynamic interplay between dramatic text and stage production shapes the audience's experience in the modern theater. Dividing the "rhetoric" of theatrical performance into three modes--realistic, poetic, and political--Worthen traces the course of British and American drama from the 1880's through the 1980's, showing how textual conventions and performance practices direct the interpretive performance of the theater audience. The realistic theater translates the objectivity associated with science into a vehicle for treating social class. Worthen examines realism's onstage representation of social "others" for an invisible, privileged offstage audience; he discusses the problem drama of the turn of the century (Robins, Shaw, Galsworthy, Glaspell), the experiments of O'Neill, Rice, and the American Method, and the contemporary realism of Pinter, Shepard and Bond. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. The plays of Yeats, Auden, Eliot, and Beckett explore the kinds of authority--over actors and audiences--that poetic theater can achieve. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period (Barnes, Brenton, Churchill, Fornes, Nichols, Osborne, Soyinka) is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Treating a wide variety of plays and drawing extensively on performance history, Modern Drama and the Rhetoric of Theater outlines the strategies that have produced both the modern drama onstage and the modern audience in the theater.

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